
2011-01-28
Silvijo's Gift

2011-01-27
Australasian Rammstein Shop Launches
Not Strong Enough Video
Under Medical Orders
2011-01-26
Big Day Out Story
He then handed me the key to his wife's Audi TT Star (gorgeous, little, bright red sports car - thank you!), and Emma and I made our way, in the most dashing fashion, to our seedy little motel to get gussied up. The motel was all I could get, because most of Auckland was booked solid for the show. Emma did me up with the most gorgeous makeup (she's a whizz with the warpaint), we had some food, and ended up running quite late.
Emma is a rather a smoking hot Australian (music industry body guard/security consultant by trade) I met on Herzeleid, who is currently seven months pregnant. Also, I presently have a ruptured disk in my back, so we decided we would just go for a couple of shows, so we didn't tire her out or do any damage to me.
We got to Mount Smart Stadium, by cab (a move I now regret) very close to Rammstein's kick-off, only to find that the guest-list was not at the gate. Emma had bought a ticket, but I was on a guest-list. After being sent to various gates and security teams it seemed I was going to have real trouble getting in, as my connection with the show was tied up working, and I was unable to get through on the number of the tour management guy, which he had texted to me. I sent Emma in (she almost wouldn't go, until I promised I would find her), and sent and received a flurry of texts, and was standing there, wet, miserable, and really sad to miss Rammstein after all I had paid and gone through to be there.
In the end the security lead on the main gate offered me shelter from the intensifying rain under the security marquee, and I walked in. As I was walking in I turned to thank him and saw him gesture to the security team inside to let me through. The lovely man had taken my efforts to get in seriously and decided I was for real, so I was waved through the second security gate and got in in time for Waidmanns Heil! I started off at the base of the stadium to the left, alone, and getting no responses to my texts, then glimpsed Emma's tall frame through the mob of very young, short-short-wearing Eed up girls and gorgeously black-adorned boys, and made my way over to her.
The whole time we were in the crowd she looked after me. I had my own professional body guard, and she was incredible! I felt so safe, despite my awful back issue, and though I love her company I had reason to be otherwise grateful for her companionship at the show. I can see why rock stars employ people like her to look after them. It's awesome :)
We placed ourselves at a fence about halfway back (at the base of the flying fox, for those who were there, to avoid her baby and my back being injured, and enjoyed the show. I've posted her pictures, set-list, and videos on LILT.
After the show I arranged to meet my guy and he got us into a hospitality area backstage, where we could drink hot, fresh coffee, dry off somewhat, and catch up. We talked shop for a couple of hours and enjoyed the peace, after the madness of the BDO masses and noise, and it was lovely.
When the hospitality area started flooding we decided to brave the rain and the mob and try and get back to our motel. My friend had to work, so we left him outside the gate and started walking with the crowd away from the stadium. We ended up sheltering in a Chinese takeaway, where a lovely old man made us a hot meal, and we sat, steaming gently, chatting with other revellers, and starting wondering how to get home. Cabs were being aggressively flagged and taken, and Emma's pregnancy made walking the nine kilometres to our motel unfeasible.
In the end I called a cab, and we waited for an hour. I had to defend the cab when it came, as people tried to steal it, but let two nice Canadian boys share it with us, and got Emma home.
Emma and I managed to catch up with my friend for more coffee the next day, and saw him off to the airport, then we visited with some friends of mine in Auckland, dropped off my sister-in-law's car, and went to the airport. On the plane we met a nice chap, who promised to visit LILT, as he had become a new Rammstein fan after the BDO show. I hope you're reading, dude!
I promised him I would find and post a video of the cock cannon from the northern shows for him, and I will...
2011-01-25
A Facebook Group For Your Attention
Yes, we have them down this way for the BDO now, but we're greedy. We want full tour dates, with the cock cannon and the Engel wings, and the Ich Tu' tower, and we want them for more than an hour! We didn't get enough from the BDO.
Come on guys, lets get Rammstein locked in for some real tour shows down here. Join the groups, post to their walls, show some love, and lets see what we can pull off.
David Farrier Interview (Embedded)
Thank you Rammstein Uruguay!
David Farrier & Richard Kruspe Talk Opera
For those of you outside New Zealand, David Farrier is a NZ reporter for TV3, who tends to cover the fun stuff, like video games, music, fun technology, and the like. He's a funny chap, with a camp streak a mile wide and a definite liking for many of the things I like. He does tend to enthuse over pop more than I ever will, but otherwise we have a great deal in common. Here's the TV3 video stream. I am not sure if non-Kiwis can view that, but give it a try. If you can view it you will see Richard at his best.
I like that Richard has started to back up my long-time theory that Rammstein is operatic and also that he is so positive and buoyant in this interview. Good man!
William's Song of the Day - Der Meister
2011-01-24
BDO Gallery on Rammstein World
BDO Set-list (Gold Coast)
1. Rammlied
2. Waidmanns Heil
3. Keine Lust
4. Feuer Frei
5. Wiener Blut
6. Links 2-3-4
7. Benzin
8. Ich Tu Dir Weh
9. Du Riescht So Gut
10. Du Hast
11. Sonne
12. Ich will
13. Pussy
BDO Set-list
1. Rammlied
2. Waidmanns Heil
3. Keine Lust
4. Feuer Frei
5. Wiener Blut
6. Links 2-3-4
7. Benzin
8. Mein Teil
9. Du Riescht So Gut
10. Du Hast
11. Sonne
12. Ich will
13. Pussy
I was far too busy rocking out on my back medication to make a note of the set. Thankfully others were more efficient than me.
BDO Videos
Mein Teil:
Copyright 2011 Emma Waxenegger. Contact me if you want to publish or reproduce these videos, and I will pass your message on to Emma, so you can get her permission.
2011-01-23
Big Day Out Photos
A little back-story: I met an amazing woman on a Rammstein fan site, and we have become friends. We went to Auckland, stayed in a seedy little motel, she made up both up to look fabulous, and we went to the Big Day Out. The day before I ruptured a disk in my back, and as such was dosed up on antispasmodics and opiates, and she is seven months pregnant, so there was no indulgent drinking and we only went for Rammstein.
Without further preamble, here are the pictures:
Emma taking my photo in a mirror after she had made me up to look all glamorous:

The taxi ride to BDO:

Rammstein, live and flaming:

A bit more of that:

And even more:

And perhaps some more:

Drying off with coffee in the hospitality area with a lovely friend of mine who we met with there, before braving the crowds and the weather to try and get back to our motel:

I will post my write-up and a couple of videos Emma shot tomorrow. Photos are copyright 2011 Emma Waxenegger, because she rocks and took time out from head-banging to take photos, while I slacked off and just let rip.
2011-01-20
Are You Going?
Links zu Amerika
Links 2 3 4 is a response to accusations and speculations, based entirely on Rammsteins Teutonic heritage, martial beats, and industrial harshness, that the band members have Nazi leanings and right wing political agendas. This is something Rammstein's members have stated in no uncertain terms in the past. The song is a superficial and droll statement against the idea that they are right-wing fascists born from Germany's darkest past.
It is not a profound statement of their political stance. It is not a political statement in and of itself. It's a tongue-in-cheek nod to the past militarism of their nation and the misconceptions about their social beliefs that Nazi Germany, a thing of the past, has given rise to. The marching cadence, use of the word 'Links' ('left'), and in particular the generally known marching call 'Links zwo drei vier' ('Left two three four') used on the parade grounds of the German military, are all remarks on the divergence between what is believed of them and what is fact. In summary: Try and label them as right-wing and they wink and write about their heart beating to the left in a way wryly designed to conjure up images of goose-stepping Wehrmacht troops.
Amerika is another animal altogether. Along with Zerstören, it is often thought to be anti-American. To my mind it is more a criticism of America's foreign policy and an observation about the pervasiveness and ubiquity of American culture and icons, than it is an indictment on America's (let's be honest here) self-righteous interference in the interests of other nations and cynical manipulation of the facts. Whether America is right or wrong to carry out its foreign policy as it does is not something I will tackle here, but I do hope that this post can address some ideas I consider to be misguided where Rammstein's intent is concerned.
I think they criticise, but I don't consider their music to be political in any real sense. Nor do I consider them to be a political unit. They are entertainers who inject stories into their music, and sometimes the stories are fables, with lessons, messages, and challenges to the critical faculties of their listeners. They are minstrels of a decidedly operatic and dramatic type, and to read or gather political activism or propaganda from this this is both unrealistic and unfair.
I'd like everyone who actually takes on board the meaning of Rammstein's German lyrics to keep in mind that each song is a painting, and that image is full of darkness and shadows in some shape or form, but that they don't actually attack anything that is open to interpretation. They merely illuminate the scene for your mind to take in. They only attack in so much as they highlight the bad along with the good, and observe those faults by shining a light into the murky darkness, that we can see what it is hiding.
Minstrels, telling takes of good and evil, darkness and light; this is Rammstein. They observe and paint pictures with music. Take it in, and by all means consider the reality behind the story, but do not, please DO NOT pigeonhole the minstrel by that which he tells of. That is like shooting the messenger.
Annoying Germans
Anyway, this is, I think, a load of crap from a fantasist, but you never know. Treat it as gossip.
Maybe the Germans have landed...
2011-01-19
BDO Newbs' Guide
Don't sing along too loudly. You have a lovely voice but your fellow attendees paid to see The Black Keys and not a solo show by Mouthy McSingsing. That said, Do scream along to Rammstein in German. It's the closest thing to godliness you can get on this earth.
Don't wear a swimsuit as your main item of clothing unless you are at a coastal location. It looks hell slutty. Unless that's the idea then go forth and get felt up my scantily clad sisters!
Do employ festival etiquette - your “festiquette” (thanks to Pedestrian pal Jaala Webster from whom we've borrowed that expression). It’s okay to shove people aside – IF you do it with an excuse me and apologetic smile. Everyone's in it together so share the love and be conscious of the comfort of others. Manners can get you a long way e.g. onto tall handsome stranger's shoulders.
Do eat. Festival food tastes more awesome than normal food for some reason. And you need your strength for all those dance moves remember?
2011-01-18
RZK's A-Comin'
Kruspe added he was determined to see more of New Zealand than the backstage area of Auckland's Mt Smart Stadium.
"It [the Big Day Out] is one of those events where we can try and combine all our holidays and business together," he said.
"I want to do a road-trip [in New Zealand] ... I have some friends coming with me and we want to rent a car and see some of the country.
"When you are travelling all the time you don't [often get the chance] to see the country. This time I want to get a car and go from city to city ... I want to know a bit more about the country."
To be honest, with the first Aussie show a couple of days after the Auckland show, I'm not seeing Richard and his friends getting much sight-seeing in, but hell, he can try. He's probably under-estimating how long it takes to drive around NZ, if he's used to US interstate highways and the Autobahn.
To those of you who haven't driven in NZ, the roads are not all flat and straight. We're sitting on top of a major set of faultlines and have a spine of mountains and volcanos. We're mountainous and rocky, and our roads resemble nothing so much as the coastline of Norway. It is all rather beautiful though. It's well worth the effort, and I recommend renting cars that corner really well...
Speak to me Joe

Thanks to sweeneysphotography.com for their kind permission to reproduce this image
Joe Letz is good people. Note that this interview has been conducted over the last few months, so circumstances changed as we went on, and as such it may read a little strangely:
LILT: Just as an opener, what does your kit consist of, and how did you come to be in Combichrist?
JOE: my kit consists of a 22 inch kick drum, 14 inch rack tom, 16 and 18 inch floor toms a standard 14 inch snare drum, and 2 double stacked / customized drums, a 10 and 12, standing vertically on top of my 14 using a custom made stand. and 2 20 inch crash cymbals as well as 14 inch hihats, although i'm considering expanding that for the upcoming tour. all drums are made by DDRUM and are the DOMINION series, maple shells. cymbals are sabian AA, AAX and HH. i also use vic firth METAL sized wood tip sticks, and hardware from all different companies. some DW, some DDRUM, some PEARL and some TAMA. i am very particular about things and unfortunately my hardware needs have yet to be able to be met by one company all on its own.
as for coming to be in COMBICHRIST, i toured with andy and the old version of COMBICHRIST about 5 years ago. then it was just him and a keyboarder. i was into what he was doing so we talking about changing the live set-up a bit to include 2 drummers, we figured out how to do it for a tour with KMFDM we did soon after and the rest is history....LILT: The primary attraction of Combichrist for me is the percussive backbone of the music, i.e. what the drummers do. That's your point of difference. You've got a really funky line-up, with two drummers, a keyboardist, and no guitars live, so there's no traditional roles to fill. Can you give me a run-down on what each of you does, structurally? I'm wondering if one of you acts as a kind of lead drummer with the other shadowing, or if you just drive each other, or if you have something else going on...?
JOE: i play a more traditional set up, playing while sitting down. much of the time i'm carrying the main beat of the song, while trevor fills the song out with much of the drum fills. i do fills too of course, but with trevor free from having to hold down the main beat, it gives him more room to pretty much drum fill over a whole song, sort of in a heavy as fuck tribal kinda way.
LILT: Which is why you guys are stand-outs :)
Do you think, the rest of Combichrist destroyed in some freak instance of [theoretical scenario of your choice], you two would seek to work together again? You seem pretty hooked up as a team.
JOE: absolutely.
LILT: Does your kit vary much over time, or have you pretty much nailed what you need to be Combichrist's core?
JOE: the kit does change, usually from album to album. when the drums and i were added to COMBICHRIST "live", the original idea was to be as minimalistic as possible, but then as the song writing matured from album to album as a result of there being more and different live members, there has been a need for more and more drums. TODAY WE ARE ALL DEMONS tour has seen me playing on my most complicated set-up to date. i came up with the design for both trevor and my kits fully on the aesthetics', with the idea that the more cool and weird they looked, the more awkward and hard they would be to play, , and with the right people behind them trying to execute that in the best way possible, , could ultimately develop an exciting new element to the overall performance. i think it worked out rather well.... the new touring cycle that we are about to begin for MAKING MONSTERS will see an even more evolved kit. a few pieces has been removed, but some more added. can't wait for everyone to see em.
LILT: How does Combichrist's creative process work? Does one of you throw down a rail and everyone else gets on board and rides it, or do you compose by committee in jam sessions (as Rammstein apparently does), or does it work some other way?JOE: actually the albums are written AND recorded soley by andy. he's like trent reznor in that way. he definitely does the writing with the live aspect of the band in mind though, thinking of how each of our parts will translate live. if you listen to the evolution of the records from first to last you can see how much more musically diverse they are now compared to the old ones. and i think it's fantastic that he's the one coming up with the parts, cause for the most part, its not exactly what i would have come up with, and it pushes me further to expand my performance and musicality live.
LILT: Wow! I had no idea. He's a bit of a force. Do you have any side-projects that you put your own ideas into, or do you splice it all in with Andy's work? Am I remembering right that you DJ as well? Are you in other bands too?
JOE: i have a few other projects that i'm officially and a little more UN-officially involved in... one big one for RAMMSTEIN fans is EMIGRATE, which is richard's other baby. as well as a band called MORTIIS which i recorded a record with that is right now still un-released. we are bringing them on tour with us actually in europe in just a week but i simply do not have the energy to pull double duty with the way i play, so my friend tim from AESTHETIC PERFECTION will be filling in on the drum duties for them... and i also just began working on another project with a new friend who i am EXTREMELY excited about and i know that everyone will be as well once i am allowed to announce it!
LILT: Joe, you're the voice of Combichrist with the Vampire Freaks blog (which I should add is totally demented and really endearing) and now the tweeting and carry-on. How much time do you have to put into writing up events at the time, or are you one of these people with a flawless memory weeks later? How much do you play up for the fans and how much is actually you?
JOE: this part of my job in combichrist can get pretty tedious, but i welcome it. i think i'm rather good at keeping on top of it, and there's something really satisfying about documenting everything that we go through and sharing it with everybody. in the recent past i've gotten SO far behind on the blog, and with such a workload on the RAMMSTEIN tours especially, , i was only able to take pictures and write an outline for each day as it happened. i really only had the time to fully write and edit and post all the photos once i was home. to be honest right now is the first time in about 2 years that i am actually caught up with the blog, and i've made a personal commitment to try and stay on top of it daily from now on. its going to be hard, each one takes about 3 hours total to finish and to get up and live online, but i would much rather share our stories with our fans in real time than weeks or months later. i think it will be more exciting for people coming to our shows that way too. as for how much is "actually me", i am the one doing the writing and can say with confidence that anyone who knows me well enough will agree that it is all pretty honest as far as my character and sense of humor goes. for example i obviously did not chop off z_marr's penis and feed it to trevor cause we ran out of food. that could have given trevor an STD in his throat. i merely chopped off some of his elbow fat and fed it to him, AAAAND i cooked it first. i just said it was his penis cause it sounded better. and i didn't talk about cooking it cause i figured it would make some people think about germs and shit like that.
LILT: The blog is awesome. It's entertaining, endearing, and very funny. It's also nice to get the insight it offers. I do wonder how many people take everything literally though. I'm sure some of your readers think you're way less rational than you are. Have you ever found yourself with someone who has totally the wrong idea on your hands, at an after-function or similar?JOE: yea one time this girl hit on my cause she thought i actually liked girls cause i'm in so many pictures with them. REDICULOUS... she should have known... if it doesn't have boobs, AND A PENIS! then i'm not interested... come on now....
LILT: You pay homage to your drum techs in your blog, and talk about the damage you do to yourself and your kit extensively in the blog. You're obviously a bit bonkers when you play. Is this just because you're always a bit bonkers, or do you just love what you do that much?
JOE: i suppose the correct answer to that question would be " ALL OF THE ABOVE"? you have to be a bit bonkers and also love what you do to live a fucking crazy life like this. i have definitely come pretty close to having permanent serious damage to my body or death a few times while performing with this band. but for some reason that element of danger really gets me off. its definitely put me in check each time something really bad happened, but i'm not sure how comfortable i would actually feel in a more "safe" environment. i think its important to live like your ready to die at times, otherwise you don't really appreciate living as much. its just all about pushing that envelope and making it out to talk about it i guess...
LILT: You have a very powerful band vibe. It's very different to the mystique of Rammstein, who are aloof and detached, where you are affectionate and in the thick of your fans. Were you inspired by anyone else in your approach to working yourself into the niche you own, or did it just happen organically? Did you enjoy the machine and feeling surrounding Rammstein as tourmates, or was it just not 'you'?
JOE: we are still at a level where we can be personable with our fans, and i really appreciate that and i think the feeling is mutual. there might be a day when we just cannot handle that anymore, so i think it's really great to get as much of that in as possible before it's too late. and as far as touring with RAMMSTEIN goes, we were still able to enjoy alot of our fans, as well as RAMMSTEIN's even on such a large scale.... things just have to happen a bit differently. but it was definitely awesome.
LILT: Your blog gives the impression that touring is pretty much a long party of bad food, no sleep, self-indulgence, and making do. Obviously it's more good than bad or you'd be doing something else, but does this kind of schedule get to you? What do you do to get over it in your down-time?
JOE: of course it does. people bitch at me for complaining alot u know. i'll hear "STOP BITCHING ABOUT NOT EATING LUNCH, I WOULD NOT EAT FOR 2 MONTHS TO DO WHAT YOU DO". to be honest, i felt that way for a little bit when i first started touring when i was like 22, but after a while, when something becomes routine, its not AS special anymore. YES, i have the best job in the world. i am stoked that i get to do what i do every single second of everyday that i do it, but that doesn't mean that you don't get used to it and the "honeymoon period" doesn't eventually end. i just found out the other day that i'm playing MADISON SQUARE GARDEN in NY. i was pretty stoked for about 5 minutes. now i'm just stressed more than anything cause about 600 people have asked me to put them on the guest list.... but i'll be pretty happy when i'm up there knowing that my family is finally getting to really see a bit of what i do with my life in person. :-) but i guess what im saying is, that there are pluses and minuses to everything. i was married and have a wonderful son and not only has not being around completely dissolved my marriage, but i am away from my son when i am on tour. and that is just not easy no matter what. i might get off of a stage playing in front of a sold out crowd of 60,000 people and cry myself to sleep 2 hours later cause i can't hold him and hear him tell me he loves me. that just fucking sucks no matter how you cut it.
Letz & Son
LILT: I'm guessing breaking between Combichrist runs gives you the chance to spend quality time with your boy. Do you get real downtime, or is there a lot of band business to deal with between tours?
JOE: i feel like i always have something to do and never a free moment to myself. which is good and bad at the same time. it keeps me really busy and as long as i can stay focused i feel really accomplished most of the time as i have a ton to do, but then i definitly have times where i reach a breaking point and just wish i could crawl into a hole and just fucking veg out and watch TV for a whole day and not answer emails or phone calls..... but i do get to spend as much time with my son as possible, , and that is relaly grounding and amazing for me...
LILT: BTW, I've seen the griefers commenting on your blog posts. I've even responded to one or two myself. I guess they're inevitable, especially online, where expressing negativity has been elevated to an art-form.
JOE: there's always gotta be someone bitching about something... whatever.
LILT: Are you able to comment at all on the possibility of Combichrist supporting Rammstein in NY, or at any of their other booked shows in the next six months?
JOE: already anounced
LILT: Do you feel like Combichrist is something that will peak and wane, or does it just keep escalating from one album to the next?
JOE: you know, there is a few ways that i think one can try and gauge an answer to that question. i like to think of it like this: we are an industrial band, that has almost NO mainstream marketing going on at all, and are still playing and selling out venues that bands who are shoved down everyones' throats via the covers of mainstream magazines and some radio stations are playing. i think that really speaks for what sort of following we actually have. imagine if we DID have that kind of a push in the media, or if we were around 10 years ago when radio, MTV and everything was the way it was when MARILYN MANSONs' or NINE INCH NAILS' career's were flourishing. i think we might be a bit bigger if we had a go at it back then, , but the fact that we have this crazy hard core / underground following without any of that compared to what alot of other bands get, is pretty special and holds alot of security for me. i do have a feeling that our fans will welcome us to be around for quite a while, and i'm really excited about the evolution of the band from record to record, let alone where we will be in 5-10 years from now. hopefully still challenging ourselves to keep what we are doing to be new and exciting, having fun, and still not dying.
LILT: If you weren't a crazy drum-bunny what would you like to be doing with your life? I guess I'm asking what else you're into, and what you'd do if your arms fell off. That's not just aimed at your malfunctioning limb, Joe.
JOE: i think i'd be doing something to help out kids. i came from a really solid family unit, but for some reason got a bit confused and off track as a kid and got into alot of drugs and other shit when i was way to young to even begin to try to understand what being responsible or moderation meant. it got even worse as time went on because my parents had a hard time finding someone that could really relate to me or understand what i was going through. in fact, i pretty much have my drums to thank for my still being alive today i'd say. but there are kids out there who don't have that kind of outlet / release, and it would be really satisfying to me to be able to really try to relate to what they were going through and to be a positive influence on them and help to get their lives back on track.
LILT: In that case I really hope you get what you want, if the worst should come to the worst. Was there someone special who pulled you out of the mire, or did you just have a moment of clarity and save yourself?JOE: actually yes. i was about 22 years old. my best friend had commited suicide, and i found myself using tons of cocaine and opiates like heroin, oxy's, percocets and stuff like that. i had reached a point of psycosis with my drug abuse where i was seeing people walk around my house who weren't there, and i began freaking out. i had one friend who had a few years of sobriety under his belt who i had ben reaching out to over the period of a few years when i was feeling like shit. i called him and he explained to me that if i didn't get some help RIGHT THEN that i could permenantly damage my brain and have such hallucinations for the rest of my life. his name is KEVIN CAPUTO and he used to sing for a hardcore band that i was really into when i was a kid called SOUL SICK. he took me to my first NARCOTICS ANNONYMOUS MEETING and i had wound up getting sober for almost 3 years at that point. i got SOUL SICK tattooed on my knuckles as a tribute to him. as i see it he helped save my life, and i wanted to put that on my hands so that i could look at it every single day and be reminded of it. im very proud to have gotten that tattoo and to have him as such a positive force in my life otherwise i would probably be dead right now.
LILT: Okay, time for the really boring question: I'm aware of you performing in the US and Europe. Do you travel further afield, and can those of us in more remote geography hope to experience the real body beat any time soon?
JOE: there have been talks of going to some really interesting and obscure places. some places that i might say im even a little nervous to visit, but will for sure be stoked to have gone to and experienced. i'd rather not get any more specific than that rather then to just suggest to everyone to stay tuned for some cool announcements, hopefully in the near future!
Thank you for that, Joe. You're a gent'.
You can find Joe on Twitter and Facebook. Also, thanks to Joe for letting me raid his photo albums.
I was hoping to post a parallel interview with Trevor Friedrich, the other drummer in Combichrist, at the same time, but I pushed out another round of questions to Trevor, so it's incomplete, and patience is one of the virtues I lack. Hopefully that won't be too far away though!
2011-01-16
RZK Talks to the Ockers
2011-01-12
Rammstein Have Their Say
Contrary to various statements by ill-informed, quick-to-print publications, the band Rammstein never sued the band Apocalyptica.
As Apocalyptica correctly represents on their website, action was brought against the record label Sony Music. As the successor in title for the label Gun Records, Sony Music agreed to a settlement for the wrongful use of the trademark "Rammstein" following the closure of Gun Records.
During the album release of "Worlds Collide," Apocalyptica and Rammstein came to an understanding about the substance and process of working together.
However, the manner in which the record label Gun Records promoted the album did not conform with the wishes of either band.
Rammste's action against Gun Records was filed with Apocalyptica’s knowledge and agreement.
Apocalyptica left the firm Gun Records shortly after the lawsuit's filing.
Further information here
'Ill-informed, quick-to-print publications' would include me. Sorry, Rammstein!
2011-01-11
Oops! Sorry!
The Anwalt24.de article's headline [which suggested that Apocalyptica was forced to pay damages to Rammstein] is substantially wrong: neither the band Apocalyptica nor their management are or were involved in the described lawsuit. However, the parties involved are the band Rammstein and Sony Music Entertainment GmbH, as the successor of the by now-defunct affiliated label GUN Records.
Apocalyptica and Halbe Miete Management regret the events, but neither had any influence on a violation of trademark and naming rights, nor any part in whatsoever resulting agreements.
It is correct that GUN Records published advertisements with the stated endorsement disregarding existing agreements, and the band Rammstein subsequently filed a lawsuit against Sony Music Entertainment GmbH as the parent company. It is furthermore correct that Sony Music Entertainment GmbH and Rammstein have agreed on a settlement, the details of which, however, are unknown to Apocalyptica and Halbe Miete Management. We ask that further articles on the topic correctly reproduce the facts.
Update: Actually, I checked Apocalyptica's site. That would be the source.
2011-01-09
Operammstein
2011-01-05
Well Heeello There
Um, yeah. I really hope that this was meant for public consumption. I have no idea what he is saying (aside from pointing out that it's spring, maybe?), but it doesn't seem personal, so I'm going on a hunch. If I get taken out with a C&D you'll be the second to know...
Update: Thanks to Ivana for posting to the comments with this translation:
Hi from Zagreb, it`s spring, 15°C outside, you can have fun here, go out, ciao.
Rammstein's American Gallery Up
Rammstein have updated their photo album for the recent leg of the LIFAD tour. There are some pretty cool photos of the band and fans there now.
2011-01-04
New Look
Rammstein Newb Takes One For The Team Etc.
To save energy I'm also posting this photo essay from the same show. Ignore the 'neo-fascist' remark. It's a flip misuse of a highly emotive term, which only a complete ignoramus would use in reference to Rammstein, and I sneer at its application here in a most dismissive and weary way *sneers as described*
Here are shedloads more photos from someone entirely different.
To further demonstrate my economical posting I will also add that both Mike and Jamie over at Rock Sins have picked Rammstein as the best Festival act of 2010. Hoorah! That's what I like to see.
More soon...
Court Awards Rammstein Apocalyptica's Money
Die Parteien einigten sich auf die Zahlung von 45.000 Euro als angemessene Lizenzgebühr.
The parties agreed to the payment of €45,000 as a reasonable royalty.
I've seen this excellent album touted as 'featuring Rammstein' myself, but it doesn't annoy me half as much as seeing the Puhdys track Wut will nicht sterben (also featuring the vocal talents of Till Lindemann) described as a Rammstein song. Rammstein don't describe it as such, but a lot of very silly Rammstein fans do. Stop it!
Update 20110111: Please see this post for the correction to this story.
2011-01-03
Back!

Anyway, I'm back on track now, so the news will resume anon, and in less than three weeks I will be at the Big Day Out, getting all hot and clammy with a bunch of young men in black. I'll tell you aaaaall about it once I recover.
2010-12-20
BDO Timetables
2010-12-18
NYC After-Party Report
Nicely Put
A Retro Housewife in a Moshpit
I didn't actually believe they would allow a mosh pit at Madison Square Garden, and right up to the very last minute I expected to find rows of neatly ordered seats up front, but I was wrong, and there was indeed moshing as well as squashing, squishing and exuberant bouncing. All good fun you understand, and as soon as I caught sight of the rather dangerous looking moshing, I grabbed my son's hand and steered him over to a section of the crowd where only squashing, squishing and exuberant bouncing was taking place.
2010-12-14
A Series of Loud Reports...
Braingell Radio on NYC
Spin on NYC
Metal Insider on NYC
NYT on NYC
Phil Freeman (The Village Voice blog) on NYC & possibly his photos
Chart Attack on Montreal
Hopefully they're good reads!
Awesome Sauce, Rammheinz *groan*

Thanks to Caro for the push. I saw this a little while ago, and somehow didn't rate it. So daft...
2010-12-13
Set?
Rammlied
B********
Waidmanns Heil
Keine Lust
Weisses Fleisch
Feuer frei!
Wiener Blut
Fruhling in Paris
Ich tu dir weh
Du riechst so gut
Benzin
Links 2-3-4
Du hast
Pussy
--
Sonne
Haifisch
Ich will
--
Engel
Because I can!
2010-12-12
Rammlied in NY
As you can see the old 'wall breaching' opener is back. I wonder what response the giant German flag would have got. Probably the same one. I think that crowd was probably at fever pitch already.
Thanks for sharing the video, protyreus.
Olli Interview
Full of Twits?
I'm Not Rammstein
If you're following my tweets because you are under the impression that I am an official source of information please check the @LIFAD stream, as this really is an official Rammstein stream.
For the record, if I ever post information directly from Rammstein I will cite them as my source.
Montreal in the Frame
I <3 Canadians. I need to visit that country.
Lights, Camera, KABOOM!
OMG NYC MSG!
Also, a shout-out to TheGauntlet's owner, who sold his own tickets for today's show when he realised attending would mean missing his little girl's birthday tomorrow. You're a good guy, TG.
Happy birthday on the morrow for The Gauntletlette!
Also, a big 'mwah!' to Combichrist, who are back, and playing MSG with Rammstein. w00!
2010-12-10
These Canadians Are Quick, Aye?
Shots from tonight's...last night's show, booyah! Oh, and there's an article to go with that. I enjoyed Fancy Bitch's comment on that page:
I dont know what drugs you take Mr Kratina, but they must be really f...cking good if you saw them play Mein Teil. When you write a review it would help if you actually went to the show, cause I was there and Mein Teil did NOT play.
Set-List Reverts
Lynch's Good Day
It doesn't send shivers up my spine or make me want to Hulk Smash anything, but it's not too shoddy. Given Rammstein's history with David Lynch I think a Rammstein remix of this track would complete the circle nicely. Any electronica piece can benefit from a bit of Rammstein riffage and percussive roughage. I don't think it would hurt to replace Lynch's vocoderfied crowing with Till's rather gorgeous bass baritone either...
2010-12-09
RZK@NYC
More Photos from Brazil
2010-12-05
Rammstein Shop USA

2010-12-03
If You're in Mexico
Gorgeous Brazil Photos
A Fitting Tribute
Album download 1
Album download 2
If you download these please follow his channel and rate his pieces on YouTube. These easy steps are a small price to pay for his work.
2010-12-02
Brazil Photos
2010-11-28
¿Las putas?
In all honesty I wouldn't know how to feel if I were invited on-stage for a song lyrically addressing a whore, as these female fans were. It seems like a pretty back-handed compliment. Kudos to those chicas for getting up there though. That takes cojones...so to speak ;)
Olli Speaks Too!
A translation of the Spanish is kindly provided by SkeletonCrew, along with the source link itself:
Hello, I'm Oliver of Rammstein. I'm grateful for the opportunity to be here in Chile. We have a friend in Berlin who is Chilean and told us a lot about his country and we are very happy to play here.
How has it been in Chile?
-I feel very good in Chile, the people are nice and happy. The people that attended to us in the airport were friendly and polite. The Rammstein fans were in a frenzy but without being extreme.
Rammstein has always had to deal with censorship...
-We come from a socialy rigid system in which art is a mean for escape. We rebelled against the system. After the wall came down we formed the band.
Rammstein has controversial lyrics...
-It's our way of venting. But we don't see it as agressive but as a way of expressing ourselves.
Rammstein fuses Industrial sounds with Metal. How did this combination come about?
-There's 6 of us in the band and we all have our own influences. And out of that came Rammstein.
What do you expect from the Santiago (Chile) concert?
-We don't know what to expect...Tomorrow we'll do a show with fire, but it wont be the same as in Europe. It'll be a spectacular show with lights, music and fire. At the end we'll play Liebe ist für alle da and we'll do some kind of theatrical act with the song...
Further to this a correction of the German to Spanish translation comes from Ganxxxter on Herzeleid:
"Translation fail of RockNvivo.com.
Olli talks about the LIFAD album, not the song.
In fact, Olli says that: "Letztenendes (=letztendlich) spielen wir jetzt die Show zu LIFAD und das ist dann eigentlich schon wie ein Theaterstück, wo alles einstudiert ist."
In English: "After all we play the show for LIFAD and that is actually a (theatre) play, where everything is studied."
In addition, he never said that the song LIFAD will be the last song of the concert."
2010-11-27
Reise Reise Ad
The original online publication of this ad was by Pierrick of Rammstein World.
Chile Set-List
Intro
Rammlied
B********
Waidmanns Heil
Weisses Fleisch
Keine Lust
Feuer Frei!
Wiener Blut
Fhruling in Paris [sic]
Mein Teil
Du Riechst so Gut
Benzin
Links 2-3-4
Du Hast
Pussy
Sonne
Haifisch
Ich Will
Ich Tu´Dir Weh
Te Quiero Puta
Contrary to rumours of a severely truncated and almost LIFAD-free set punters got the full bang for their buck.
New RZK Interview
2010-11-26
Best Headline Act?
Now take your stinking bias and go and vote.
2010-11-25
2010-11-24
Till Speaks (Really)
Alice in WTFland
THE SUN: I REALISE it's hard to tell, behind the mask of Alice, but is there anything that ever makes you blush?
ALICE: I did when I gave the female lead singer in my band, Tiffany, something called a Rammstein Box set as a present. I had no idea of its contents, which turned out to be an assortment of anatomically correct but exaggerated representations of the band.
2010-11-21
New 'Best of' Album in 2011
w00!
2010-11-20
Rammstein go on Safari
2010-11-19
Win Rammstein's Entire Catalogue
Chilean Support
2010-11-17
Apocalyptica Tour Postponement
We wanted to let you know that sadly we are having to reschedule the current run of US dates to the beginning of March 2011. This is due to issues with Perttu's health; we have taken the advice of several doctors before making this decision. We are working on all details and more information for you right now, and of course we will keep you fully informed!
If you're planning to attend note these changes and watch the band's various community channels for updates, so you can adjust your plans accordingly. Get well soon, Perttu.
2010-11-15
Vettel
2010-11-13
Dildos on Sale - Gwarn!
And please do ask Alan Cross why he knows about this...
2010-11-06
Rammstein Back in the Studio
...the band has visited a studio on the outskirts of Berlin in the past week...
This comes along with the information that rehearsals have begun again for the next leg of the LIFAD tour. Awesome.
Silvijo's Portraiture
2010-11-01
Ping! Pong!
2010-10-23
Let's Recce The Place
"The goal was to see what kind of demand there really is," he says. "It has been made really clear to us that thousands of people were unable to get tickets, and it's great to see that there is a market here for the band, and our goal is to build that."
Hopefully the *waaaaaaah!* haters will shut up.
Wes Borland & Combichrist
2010-10-21
Ugly Buttons
Share or not, as you will, and if you have an opinion about them let me know.
2010-10-20
She's a Sweety

2010-10-19
We All Live in Canada
Fire-loving German industrial band Rammstein is apparently booked for a show at the Bell Centre on Dec. 9, with opening act Combichrist. Tickets cost $39.50 to $74.50 and go on sale Saturday at noon at the venue and through Evenko. Order by phone at 514-790-2525 or online at www.evenko.ca.
Combichrist once again drum the crowd up as openers.
2010-10-16
LIFAD One Year On
2010-10-14
RRF: Madison Square Garden Sales
Source: The Gauntlet.
2010-10-13
TG has NY Tickets...for YOU
RZK & NI
2010-10-12
The New Rammstein Website
Flaming Nightmare - We Like
FLAMES! FIREWORKS! RAMMSTEIN!
Posted on: September 30 2010
Do you like Germans? Explosions? Then you’re gonna love Rammstein. Formed in the mid-nineties in Berlin, the industrial metal band (is there a stronger sounding musical genre out there? I doubt it) have sold over fifteen million records. Folks who see Rammstein performing in the flesh are not only delighted by the group’s fetching onstage outfits, but also their tendency to SET THEMSELVES ON FIRE for a lark. The whole thing sounds like an OH&S* nightmare but fear not - frontman Till Lindemann is actually a licensed pyrotechnician.
I also rather like the way one YouTube user has summed up the band in just seven words.
“Flame gun is cool, Rammstein are awesome”
Indeed!
I know one German chap here in NZ who hates Rammstein, but loves their live show. That says it all, really.
*Occupational Health & Safety
2010-10-09
Win Tickets to Madison Square Garden
2010-10-07
Incoherent Copyright Infringement Story
Russian commies in Rammstein row
Source Andy Potts at 07/10/2010
Communists in Nizhny Novgorod face a potential copyright row after mimicking the art work and music of cult German rock band Rammstein in their campaign materials.
But while a court in the city considers whether their video ad has stolen from the band, others might question borrowing from a group once described as “poster boys for the master race” and accused of Nazi sympathies.
Nizhny communist chief Nikolai Ryabov defended himself against charges of plagiarism, saying that experts had yet to confirm that the music was even by Rammstein and not a cover version or a similar band, Komsomolskaya Pravda reported.
There is a serious lack of detail, such as the title, date, author, and publisher of the original (Pravda?) article, background on the (false) implications of Nazism in the band, or any useful information as to the stage this case has reached. We have no way to know when this case was brought, whether or not it has been dismissed, or if there will be further proceedings with regard to whether or not the song is a Rammstein track. This is the internet. There is no excuse for the omission of proper citations or missing source links.
Does anyone have a link to any real reporting about this story?
Update 2010.10.08: Eva has very kindly provided links to better stories in the comments for this item - thanks Eva :)
RRF: Snow White
Source: Wikipedia.
Rammstein Uruguay Album
Sydney 2
Combichrist Back for NY Show
2010-10-06
2010-10-02
Beware the Scams
2010-10-01
2010-09-30
Broken Pieces
Apocalyptica's second 7th Video
@apocalypticafi Heute, 11:00 Uhr deutscher Zeit, Deutschland Premiere des neuen Videos von Apocalyptica's zweiter Single "Broken... http://fb.me/KpmtQgAK
I'm thinking that was around 15 minutes ago. Okay, so I was late, but at least the news is still fresh. This is the second video from the latest album, and the song, like opener End of Me, is incredibly catchy. End of me featured Gavin Rossdale, who was absolutely stellar. Broken Pieces is lit up by Lacey, and I have to say I find her just as compelling, though Broken pieces is the extent of my experience of her.
Update: here it is: