2009-10-31

More Rehearsal Detail

DagraK has posted on Affenknecht with some more detail about what has been seen at the rehearsal gigs:
Till has 2 left-eyebrow piercings, and one in his cheek to put the little wire in for the leds in his mouth.

Ich Tu Dir Wih - Till stands on a decent hight, trowing sparks over Flake who's in the bathtub.

Wiener Blut started with a Gramophone

Keine Lust - Smoke :)

Feuer Frei - Flamemasks

Seems like Till is on fire at Benzin

All breakdowns and bridges have amazing lightshows/effects!

Fire all over the place! Lots of!

Till looks SO STRONG, stronger than ever. They are in very good shape, all of them. Till sung beatifull and his acting was superb - he had lots of fun doing it!

"He was really looking down at the crowd, moving around, kneebanging everything. and then he took his shirt off ... god damn he is so strong. I think he is even stronger than during Mutter era "

I'll let you know when I got more.
I have no idea if this is first-hand knowledge or if this information is harvested from others, but it's good to know, nonetheless.

[discuss]

Bau-Da Boom

Tempelhüter has posted a link on Herzeleid to the Bau-Da Design Lab site, and a new photo of Olli, which is along-side the band photo we are all now familiar with. It's a great picture.

[discuss]

Radio Goethe Rammstein Special

Arndt over at Radio Goethe has posted his Rammstein special. The page links to the show as the current show at the moment, though that will change down the line when the next one is posted.

The Rammstein material starts at 30 minutes, and is tracks from the new album interspersed with a phone interview with Paul, with Arndt translating. It's very well-done.

[discuss]

2009-10-30

LILT: Ich Tu' Dir Weh 1.1

Minor changes:
For me alone you are living
I am putting my mark on you
Everything for me you are giving
You love me, for I don't love you

You bleed for my salvation
One small cut you're turned on
Your body is already twisted
While it feels good we risk it

I hurt you so
I'm not sorry
This does you good
Hear how it screams

With you I have choice of torture
Barbed wire in the urethra
Your flesh in salt and sepsis
Till you die, and yet still live

Bites, and kicks, and hard blows
Needles, forceps, and a blunt saw
Make a wish, I won't say no
I feed live rats into you

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams

You are the ship, I am the captain
To where should I be travelling?
Reflected back is your face too
You love me, for I don't love you

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams
[lyrics][discuss]

LILT: Frühling in Paris 1.2

On Herzeleid DiexFlamme explained that Bluten can mean 'to blush' as well as 'to bleed', so I've had to find a way to try and work in Till's double meaning. I'm uncertain of my success:
She came to me clad in light
So clearly I recall
I was so young
and felt such shame
But no regret at all

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not feel regret

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
Paris bloomed in bloodshot spring

I did not know my own body
I dreaded the prospect
she showed all to me in the light
I did not feel regret

Lips redeemed again and again
Soft of touch and hold
when I left her mouth then
I began to feel cold

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not feel regret

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
Paris bloomed in bloodshot spring

A murmur dropped into my lap
And brought a lovely sound
Many, gentle words said nowt
I felt good to the ground

Throughout my head her voice poured
She then bowed down deeply
I did not comprehend a word
But no regrets for me

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
Paris bloomed in bloodshot spring

In Paris

When I abandoned her skin
Paris bloomed in bloodshot spring

In Paris

When I abandoned her skin
Paris bloomed in bloodshot spring
[lyrics][discuss]

TV Rammstein

The official blog has an excerpt linked to Rammstein's one and only TV interview regarding the new album on You Tube. Alea has posted a translation on Herzeleid's board.

[discuss]

Second Rehearsal Gig

The second rehearsal gig is apparently going on now, so we'll hopefully have further reports from those lucky enough to attend. It will be interesting to see if they play the same set, and if any different props come out. So far we have a bath and threadmill for Flake, and Till with LEDs in his mouth and some sort of apparatus with water attached to his face (no real detail). I'll post if I get new information.

Also, I'm getting timeout errors when I try and resolve Herzeleid.Com. I'm not sure what's going on there.

[discuss]

2009-10-28

Warm-Up Gig Set

A Herzeleid user, called Konkelo, has posted the set-list from the first warm-up concert:
1. Rammlied
2. B*******
3. Waidmanns Heil
4. Keine Lust
5. Feuer frei!
6. Weisses Fleisch
7. Wiener Blut
8. Frühling in Paris
9. Ich tu dir weh
10. Liebe ist für alle da
11. Links 2-3-4
12. Haifisch
13. Du hast
14. Pussy
15. Benzin
16. Sonne
17. Ich will
_____________

18. Seemann
19. Rosenrot
20. Engel
Apparently Flake gets more shit from Till, they make use of a bath, and Flake plays while on a treadmill. It all sounds fairly Rammstein to me.
[discuss]

ITDW Translation on Herzeleid

Jeremy has posted his second LIFAD translation.

[discuss]

2009-10-27

LILT: Winer Blut 1.0

Come with me
Come to my keep
Fun awaits us beneath our feet
Softly, softly, it's our wish
To be outside time for a flash
Yeah, there's heaven under my house
The door is closed
The light goes out

Are you all set?
Are you prepared?

Welcome
Into the darkness
Into the darkness

No one should disturb us dear
No one, no one else must hear
No, none should find us down there
We can taste life without fear
If you feel yourself bereft
I'll plant you a sister to pet
Her skin so young
Her flesh so tight
Under my house my love's delight

Are you all set?
Are you prepared?

Welcome
Into the darkness
Into the darkness
To the quietness
To the dolefulness
For an endlessness

Welcome
To the realness

Through the deepest vale you dance
Are you all set?
Your life is without light too
Are you prepared?
So fear no torment or mischance
Now get ready
I am here now and holding you

I'm holding you
In the darkness
In the darkness
[discuss]

2009-10-26

The Freak

I'm working on Wiener Blut at the moment, and I have to say that I feel distinctly greasy and gritty after an hour or so inside that space. It's a very moody and atmospheric piece, and Fritzl is a bastard. I have a feeling Lindemann relished writing this one. There's so much material and endless possibilities, and with his penchant for burying us all in fetid filth he must have been in hog heaven.

That said, I does it all so elegantly. I'm hard-pushed to do anything but step where he steps, though I may diverge a little, if only to see what I can do with this relatively clearly framed picture.

[discuss]

2009-10-25

RZK Interview - Lyrics

Tempelhüter, one of Herzeleid's administrators, has posted an interview with RZK in the Rammstein forum. It's fairly standard fare, aside from two things. The first is that Richard seems to revoke his previous and repeated negativity about more Rammstein albums:
In the run it was said that this would be your last album. Is that true? If not, what caused these rumors?

RZK: You never know what happened, but I really see no reason to stop. Any one of us has made a some good books on the production of stressful but very little air, and was misunderstood. We have used this time forever until we came in with the songwriting going. Perhaps it was the long break. Which means that the next album will come sooner rather than later.
The second, and most relevant to this site is his comments about the lyrics, their meaning, and individual interpretation:
As with any of your publications, the texts of your songs will surely be taken back, this time especially under the microscope. Is that outside the German-speaking really the case? Make translate fans and press bothered the lyrics and understand them?

RZK: Of course, many want to know what is in the songs and try to go even in translation. As with people with German as their mother tongue to come out here sometimes quite adventurous and idiosyncratic interpretations. Exactly for this reason we are not talking about text content. Everyone should make his own remuneration. For each of our lyrics mean something else - which is great.

But within the band talk about what you already Till's singing, right?

RZK: No, we have abandoned for the same reason very early. I saw him at the time time to respond to a text and told him what I think what it was doing. He looked at me blankly and said that I would have probably understood as something completely wrong ...
It appears that Till leaves his words open for everyone, including his band-mates.

Note that is translation is courtesy of GLT.

[discuss]

Get Rammstein

This is more of a review of Rammstein than of LIFAD, but it's from someone who makes a point of demonstrating his understanding of them, so I'm linking to it. Thanks for the link, Rammchick.

[discuss]

2009-10-24

Pain Speaking

Ich Tu' is all about pain. This is the stuff of Lindemann.

He's very good at putting pain into words, and it's hard to quell the mental images that bloom across the mind once comprehension dawns. It's like standing in an empty space, while monstrous and velvety-dark flowers form and open before your eyes. While I've got extensive experience of pain* and am not a huge fan of it I can't help but admire his ability to convey it through his verse.

ITDW is ostensibly about an S&M relationship, but it could be about self-flagellation, self-harming (suggested on the Herzeleid forum), and/or about self-loathing. The imagery used is repellent and violent, and the character shows distain and no respect for his partner, be that himself or another party. It's all pretty vile, and it's accompanied by wonderful music and vocals, which is a stunning contrast.

Superficially, if you don't understand the lyrics, ITDW is a raunchy romp. It's fun and frisky musically, and smoking hot through to the vocals. There's no ugliness at all, though there is definite threat, because the ideas conveyed by the lyrics are not carried in the music. All the threat takes the form of naughty promise, and the pain-mongering is invisible.

Then the meaning transforms it into something much darker and more sinister. This is where the idea of lyrical incomprehension as a positive comes to the fore. I had a strong positive impression based entirely on the song, completely uncoloured by the imagery in the words, and that persists, though I know now what it's all about. I retain the initial enjoyment unmarred by the subject-matter.

I love this song. It doesn't hurt one bit.

[discuss]

* not voluntarily - I don't get my kicks that way...not that that's any of your business.

LILT: Ich Tu' Dir Weh 1.0

For me alone you are living
I am putting my mark on you
Everything for me you are giving
You love me, for I don't love you

You bleed for my salvation
One small cut you're turned on
Your body is already twisted
While it still feels good we risk it

I hurt you so
I'm not sorry
This does you good
Hear how it screams

With you I have choice in torture
Barbed wire in the urethra
Your flesh in salt and sepsis
Till you die, but you still live

Bites, and kicks, and hard blows
Needles, forceps, and a blunt saw
Make a wish, I won't say no
I feed live rats into you

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams

You are the ship, I am the captain
To where should I be travelling?
Reflected back is your face too
You love me, for I don't love you

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams

I hurt you so
I'm not sorry
This does you good
Hear how it screams
[lyrics][discuss]

2009-10-23

LILT: Frühling in Paris 1.1

Already! It generally doesn't take me long to find fault with songs I love:
She came to me clad in light
So clearly I recall
I was so young
and felt such shame
But no regret at all

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not feel regret

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

I did not know my own body
I dreaded the prospect
she showed all to me in the light
I did not feel regret

Lips redeemed again and again
Soft of touch and hold
when I left her mouth then
I began to feel cold

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not feel regret

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

A murmur dropped into my lap
And brought a lovely sound
Many, gentle words said nowt
I felt good to the ground

Throughout my head her voice poured
She then bowed down deeply
I did not comprehend a word
But no regrets for me

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

In Paris

When I abandoned her skin
In Paris I saw spring bleeding

In Paris

When I abandoned her skin
In Paris I saw spring bleeding
[lyrics][discuss]

LILT: Frühling in Paris 1.0

This track seems to be very popular, and is one of my favourites too, so here's take one:
She came to me clad in light
So clearly I recall
I was so young
and felt such shame
But no regret at all

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not regret it

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

I did not know my own body
I dreaded the prospect
she showed all to me in the light
I did not feel regret

Lips redeemed again and again
Soft of touch and hold
when I left her mouth then
I began to feel cold

Throughout my head her voice poured
By her tongue lust was writ
I did not comprehend a word
But did not regret it

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

A murmur dropped into my lap
And brought a lovely sound
Many, gentle words said nowt
I felt good to the ground

Throughout my head her voice poured
She then bowed down deeply
I did not comprehend a word
But no regrets for me

Oh non rien de rien
Oh non je ne regrète rien

When I abandoned her skin
In Paris I saw spring bleeding

In Paris

When I abandoned her skin
In Paris I saw spring bleeding

In Paris

When I abandoned her skin
In Paris I saw spring bleeding
Note that the French will remain in French.

[lyrics][discuss]

Fat Live Set?

Dante has posted about the album launch in the UK and has included the following wee titbit:
...according to Oli, who I spoke to just the other day, most of these new songs may well feature in the live show, which is being put together right now.
Noice. I hate everyone who gets to see this show live, as I won't be. You're all bastards.
[discuss]

Holy Fuck!

I didn't realise the bonus tracks were so impressive. This should be a 14 track* album. Considering that they developed 30 to 40 tracks for this project and we have half of that at most I'd say the possible upcoming single B-sides might be worthwhile in an unprecedented way. I need a day or so to digest these extra songs and then I'll write a review.

* Not counting Roter Sand (Orchester) or Liese, which are both by rights Roter Sand single B-sides.

[discuss]

2009-10-22

IdiotMag.Com Review

This one's definitely as valid as any other, and everyone has their opinion, so no tantrums, okay, my little Rammonkeys?

Now Fly...!!!!

[discuss]

Ritalin & Existentialism

Rammchick posted a link on Herzeleid today. It's a Cleveland review of LIFAD, and in and of itself that's not earthshattering. The zinger the reviewer drops in at the close made my day though:
Paired with the band's fiery stage productions and characteristic dark humor, this album posits Rammstein as the bastard heirs to the existential operetta. As they age, Rammstein continue to use the rock album as a conceptual medium — something lost on the ADHD Rital-ed twits of the iPhone age.
[discuss]

IGN Behind the Scenes Video

There's a 'behind the scenes' video for Pussy up on IGN. It's 19 minutes long:


Thanks Extinction!

[discuss]

2009-10-19

Yet Another Easter Egg

Same page, but at the top.

[discuss]

Love Stories

I'm finding stories in the various translations of the new lyrics going around. I am having a lot of trouble with some songs, but a few have provoked fairly vivid images, and I'm going to post them as they occur to me or when someone else breaks the cypher. I'm not going to go too deeply though. You could probably find just about anything if you peeled enough layers off, so I'm just going with impressions that are fairly blatant (to me).

Rammlied is a Rammthem. It's pretty clear it's about them and us, and the end of the drought. No-brainer!

Ich tu' dir weh is about S&M. Also a no-brainer. I'm sure people will find a lot of little symbols and analogous imagery in there, but the basics are the giving and receiving of pain as a form of intimacy.

Waidmann's Heil is ostensibly about a hunt, but the general idea seems to be that it's about getting laid. Let's call it a story about cruising for pussy, since that's the simplest explanation.

Haifisch I've found myself thinking more about. It seems to be about the band (Sechs Herzen die Brennen, Das Feuer hält euch warm). My interpretation is that it's about how little we get to see of their lives, feelings, problems, love, etc. The shark's tears are hidden by its context, and the personal lives of the band are also hidden in the context in which we experience their lives, i.e. on stage, in interviews, through their music, and at promotional or public events. The idea that the tears of the shark are what makes the sea saline leads me to think that the band's form of expression is their work, and it's their performance and context through that work, which disguises what's really going on with them.

B****** is one I've had trouble with, but I can't stop wondering if it's about masturbation. My initial gut reaction was that it must be about a simple personal conflict, or some social taboo, but I'm not sure. The lyrics are very simple, and as such can be interpreted in many ways. There's obviously something about which he's a bit torn. I'm probably getting the masturbation idea from the overwhelming theme of love/lust/intimacy throughout the album, so I could be on completely the wrong track.

Frühling in Paris seems to be about his loss of virginity in Paris to a [possibly older] Parisienne. His innocence might be spring, left bleeding in Paris, but not regretted.

Wiener Blut is about the Fritzl case. There really isn't anything else that needs saying.

Pussy is obviously about getting laid. From remarks by Paul in an interview the overarching theme might be sexual tourism. For those unaware there are people who travel to poorer nations to indulge in the sexual favours of prostitutes of all kinds, thus taking advantage of depressed currencies and countries, and the poverty and desperation that brings.

Liebe ist für alle da seems to be about someone who takes women as and when he chooses, perhaps a rapist. He may simply be a fantasist though. I think it's unclear if he actually gets the girl or not.

Superficially (I haven't put a lot of thought in on this one yet) Mehr seems to be about greed in general, but in my view it's more about material greed than anything else. Love of things, or for money and what that brings.

Red sand is a story about the loss of a duel over a lover. He lies dying at the end, and the other guy gets the girl. It's a pretty simple story of love (and life) lost.

More as it comes to mind, and hand in the case of the bonus tracks.

[discuss]

2009-10-18

LILT

This site is all about the work of Till Lindemann and the musicians who turn his poetry into so much more. It's a Rammstein fan-site. It just happens to be a fairly specialist one. More recently it's turned into a bit of a news site, dishing out little tit-bits of Rammstein news, with very little of the lyrical adaption at its heart going on. This will change when my copy of Liebe arrives. At that point I will write a review of the bonus tracks and then set to work in earnest, trying to tap Till's labyrinthine mind once more, and produce English lyrics worthy of him. I have decided to continue with the news content though. It will simply interleave with the LILTage.

[discuss]

What is this 'Liebe' of which you speak?

I originally fell in love with Rammstein in 2000. In the last few days I've fallen in love with the band all over again and harder than ever. They've managed to demonstrate in the most emotive and explosive way that old dogs can learn new tricks...and turn me on my ear. I now know for a fact, even without my pre-order having shipped yet, that I will soon take delivery of the best album ever to grace my collection.

You see, I took advantage of the recent stream of LIFAD on The Gauntlet to really take it in. The regular reloading of the page, the almost feverish listening I did, along with the frantic note-taking felt a bit sordid, obsessive, and closeted. It was actually a rather a surreal experience. I was also unwell, so I had a genuine fever, light-headedness, and a feeling of mild disassociation as I closed my eyes and climbed inside an envelope of sound of Rammstein's making.

That impression did not fade over the hours I was on the stream page. There were long periods where I just started the stream, listened, restarted it, listened, and then went into a spasm of writing, and I did, for a period, feel as though I lived and breathed inside my head, but not outside it. The cycle through all eleven tracks took me across a rainbow of sensations, images, emotions, and moods. I went through it a number of times, and it was incredible.

These men don't know I exist, and certainly I don't expect them to give a flying fuck what I think, but they are responsible for a lot of fucked up thoughts and feelings in me. Not bad. Just unprecendented. Now, people who don't feel Rammstein music apparently don't experience this, or they'd be fans too, so I have no idea what divides us from them, but there's something very primal and visceral about fan reactions to this music.

Part of that response in me while I was feeding off The Gauntlet's Liebe page was a growing feeling that if I learned what the lyrics meant it would somehow corrupt the integrity of the waveforms of emotion buffeting me, and it would all turn to chaos. The initial impressions I have always had from Rammstein's music have come before comprehension of verbal meaning, and have been on a purely emotional level. It was strange how alarming I found the idea of learning to comprehend the words at that time. It almost panicked me. Very strange.

I've begun to learn German. I'm wondering if I shouldn't stop when I reach a certain level; at least until Rammstein disbands. Yes, that is weird, but I'm not alone in feeling that full comprehension somehow taints the purity of that initial, knee-jerk reaction to the music. There may be something to it. All I know is that the sound stands on its own, and delayed understanding is something I favour.

The whole idea of Liebe is that everyone, no matter what their inclination, can find love in some shape or form to suit them. For some the love others seek is a twisted, evil, and utterly corrupt thing, or otherwise somehow valueless, but lets face it, we all define our universe and if one names a thing that is power. Call it love if you will, and then I guess love is in some way yours.

I love this album and I love the band. There is love and then there is love. The love I feel for each is completely different, and both are different again from what I feel for people in my life, but they are each a sort of love after all. There is love here for everyone.

[discuss]

2009-10-17

Stream to be Ramped Back

Management have had a change of heart, and TG's stream is being downgraded to 30 second clips.

I know! Mad! Watch the torrent seeds surge...

[discuss]

More Studio Report

Part three has gone up on the official site, once again tacked onto the end of the existing page.

This woman has a definite habit of including Till as a question. And Till? ...

It's odd. What is she trying to do? I don't know, but it's so lacking in subtlety that I think she has a definite reason for it.

[discuss]

2009-10-15

Thrash-terpiece

Some information on how to get the Thrash-terpiece remix of Rammlied has been posted on the official site. I'm not sure if this will apply in all iTunes stores though.

[discuss]

2009-10-14

The Gauntlet Firing Up More RammServers

October 16. Note this in your diary as a day when you will probably want to visit thegauntlet.com. They will then give us the streaming debut of the new album. This will be an officially sanctioned public display of Love. All eleven tracks of the base album will be there, on some shiny new kit, for your listening pleasure. I'll link it as soon as I get wind of its publication.

[discuss]

2009-10-12

Another Easter Egg

It's on the same page as the last one. Click on the lower of the two play buttons to get the intro' to Waidmanns Heil.

[discuss]

2009-10-10

RZK Interview Posted

The Gauntlet has posted the full interview with RZK and there's plenty of new information in there. It's a good one!

[discuss]

RZK Teaser

TG has posted a wee teaser for his full RZK interview.

[discuss]

RAAH!

Go here and click on the little play button down at the bottom. Also, there's another clip on FB here.

[discuss]

Scoopage Ahoy!

The Gauntlet Tweeted earlier to say:
Speaking with Richard from Rammstein, lots of scoops.

Get ready for some Richardisms...

[discuss]

2009-10-09

Dante's Take

Dante, the Man From Spine Farm, has posted a preview of LIFAD on his blog. That's the blog linked from rammstein.de. It's a good read.

[discuss]

Album Promo' Clips

The Gauntlet has found new clips up on the Rammstein MySpace page and has reposted them. Well worth a look. It sounds like samples from LIFAD (the song), one I can't work out, and Frühling in Paris are used in the clips.

[discuss]

2009-10-07

LILT: Hilf Mir 1.2

I am alone in the house
Both of my parents have gone out
Then I hear calling out to me
The little box I hoped to see

So I say “What is this joy?
This is the very best of toys”
I only need one match alight
I ape my mother as she'd strike

Every time I am forlorn
To fire's light I'm ever drawn
Why can't I escape its spell
Oh why don't I get well

It grabs at me and I don't fight
It flies at my face with delight
It bites and hurts me a great deal
About the room I dance and reel

Oh dear, the fire licks my clothes
My jacket burns so hot it glows
My hand is burnt, and so's my hair
Now I am burning everywhere

Every time I am forlorn
To fire's light I'm ever drawn
Why can't I escape its spell
Oh why don't I get well

The fire loves me
Help me
The fire loves me not
The fire loves me

I have burned up entirely
There's nothing but ash left of me
To sunshine I now emerge
From the ash to which I burned
The fire loves me
The fire loves me not

Help me

[lyrics][discuss]

LILT: Mein Teil 1.1

Today I will meet a man
Who would eat me as he can
Soft and hard parts, front and rear
Are on today's bill of fare

You are what you would eat
You know what that will be

It is my part – no
My part – no
That there is my part – no
My part – no

A really dull blade fits the bill
I'm bleeding hard and feeling ill
I am struggling to stay awake and
I keep on eating as I'm shaking

It's just so well-seasoned
And nicely flambéed
Then on porcelain lovingly displayed
And a good wine with it
Served up and candlelit
Yeah, I will take it slow
You need culture you know

You are what you would eat
You know what that will be

It is my part – no
My part – no
That there is my part – no
Yes, it's my part – no

A cry will to heaven ascend
And through hosts of angels rend
Then their feathered flesh will careen
Into my lasting childhood screams

It is my part – no
My part – no
That there is my part – no
My part – no

[lyrics][discuss]

2009-10-04

LILT: Mein Teil 1.0

Mmmm, gory:
Today I will meet a man
Who would eat me as he can
Parts, soft, hard, in front and rear
Are on today's bill of fare

'Cause you are what you eat
You know what that would be

It is my part – no
My part – no
That there is my part – no
My part – no

A really dull blade fits the bill
I'm bleeding hard and feeling ill
I am struggling to stay awake and
I keep on eating as I'm shaking

It's just so well-seasoned
And nicely flambéed
Then on porcelain lovingly displayed
And a good wine with it
Served up and candlelit
Yeah, I will take it slow
You need culture you know

'Cause you are what you eat
You know what that would be

It is my part – no
My part – no
That there is my part – no
My part – no

A cry will to heaven ascend
And through hosts of angels rend
Then their feathered flesh will careen
Into my lost childhood of screams

For some reason the lyrics trigger vivid enough imagery in my head that they make me feel vaguely queasy. It's the bleeding and feeling sick, then fading and convulsing. Eew. Gets me every time.

[lyrics][discuss]

2009-10-02

LILT: Spieluhr 1.0

So much sorrow in one song:
A tiny soul seems to have gone
But it just wants to be alone
Its little heart stood still for ages
Till all thought it had earned death's wages
So they inter it in wet sand
A music box still in its hand

First snow blankets the little grave
The small child slowly awakes
The winter night is very cold
And the tiny heart is bold

As frost flies right through the child
The musical box clockwork winds
With a melody on wings
From the cold ground a child sings

Hoppe hoppe Reiter
Down from high no angel sweeps
mein Herz schlägt nicht mehr weiter
On this grave only rain weeps
hoppe hoppe Reiter
With a melody on wings
mein Herz schlägt nicht mehr weiter
From the cold ground a child sings

The chilly moon while in full flight
Hears the crying in the night
Down from high no angel sweeps
On this grave only rain weeps

Between the cold hard oaken stays
With the musical box it plays
With a melody on wings
From the cold ground a child sings

Hoppe hoppe Reiter
Down from high no angel sweeps
mein Herz schlägt nicht mehr weiter
On this grave only rain weeps
hoppe hoppe Reiter
With a melody on wings
mein Herz schlägt nicht mehr weiter
From the cold ground a child sings

Hoppe hoppe Reiter
mein Herz schlägt nicht mehr weiter

They could hear on All Souls' Day
The melody in God's field played
So then they disinterred it
The child's heart, they preserved it

Hoppe hoppe Reiter
Down from high no angel sweeps
mein Herz schlägt nicht mehr weiter
On this grave only rain weeps
hoppe hoppe Reiter
With a melody on wings
mein Herz schlägt nicht mehr weiter
From the cold ground a child sings

There are some pretty serious problems with the rhythm, but I'll sort it out. Note the child's lines remain in German. That isn't going to change.

[lyrics][discuss]

SOOOO sad

I've started work on Spieluhr today, and it made me cry. It's never done that before, but then I've never had to get inside it like this. It's an intense song, but previously I've been able to listen to it fairly impartially. Working with the lyrics this way makes a hell of a difference to my experience with the music.

Of course, it doesn't help that I'm very tired and worn down this week, but seriously, if you want a more intense Rammrush try to really get inside Till's head. It makes a big difference.

[discuss]

Machinery

TG has talked to Robb Flynn from Machine Head about his mix of Rammlied. I seriously want to hear this track!

[discuss]

LILT: Spring 3.0

Promoted:
Atop a tall bridge way up high
A man stands up feeling small
He stands there with his arms held wide
A mob forms below his pedestal
And I don't want to miss out here
I want to get in really near
I move myself close to the scene
And scream

He is now ready to climb back down
The rabble show a new-found hatred
They compress into a tight crowd
It won't allow him to escape it
So he finds that he must return
And the mob then begins to stir
They're wanting him to vent his spleen
And they scream

Fly
Fly
Fly

Fly
So I'm alright
Fly
Don't spoil my night
Fly from spite
Fly to the light
Fly

Now the man begins to weep
A cloud moves silently in
He can see what he has reaped
Before the sun and it dims
I just want to be at the scene
The people start to surge and teem
And to look up into the evening
And they're screaming

Fly
Fly

They're screaming
Fly

Fly
So I'm alright
Fly
Don't spoil my night
Fly from spite
Fly to the light
Fly

A cloud moves silently in
Before the sun and it dims
A thousand suns're burning just for him
Up there behind him I draw near
From there I kick him in the rear
I am his redemption
Yeah, I scream at him

Fly
Fly
Fly

Fly
So I'm alright
Fly
Don't spoil my night
Fly
Fly from spite
Don't spoil my night

[lyrics][discuss]

LILT: Mein Herz Brennt 3.0

Promoted:
Come darling children, attend me
From 'neath your pillows my voice arrests
I've brought you all a special treat
I extracted it from my own chest

With this heart I have the power
Where your wee eyelids are concerned
I sing until the night's last hour
And glowing light on high returns
My heart burns

They come after you after dark
The blackest fay and ghosts and demons
They creep out from the cellar shaft
And look under bedding where you're hidden

Come darling children, attend me
From 'neath your pillows my voice bestirs
I've brought you all a special treat
The glowing light on high returns
My heart burns
My heart burns

They come after you after dark
And steal your heated little tears of pain
They wait until the moon awakes
And put them into my twisted and cold veins

Come darling children, attend me
From 'neath your pillows my voice recurs
I sing until the day relieves
The glowing light on high returns
My heart burns
My heart burns
My heart burns
My heart burns

[lyrics][discuss]

LILT: Rammlied 3.0

Promoted without change:
We honour those who keep the faith
Those who will hold strong and can wait
Well, your wait is come to an end
Please lend your ears now to the legend

Ramm! Stein!

Many lead, more come in tow
From heart and soul, hand in hand
Onward, forward, be on the go
Sense and form you understand
If your joy leads to heartache
If no stars shine from the dark
If you have felt forsaken
We have returned, so tune in...

Ramm! Stein!

Many lead, more come in tow
So get your wicked Ramm-face on
Devouring and being devoured
We take a gram and give a tonne
If you do not know the drill
What is right is what's right still
If you have felt forsaken
We have returned, so tune in...

Ramm! Stein!

One way
One zeal
One intent
Ramm! Stein!
One direction
One heart
Of flesh and blood
Community

We honour those who keep the faith
Those who will hold strong and can wait
Well, your wait is come to an end
Please lend your ears now to the legend

Ramm! Stein!

[lyrics][discuss]

LILT: Hilf Mir 1.1

I am alone in the house
Both of my parents have gone out
Then I hear calling out to me
The little box I hoped to see

So I say “What is this joy
This is the very best of toys”
I only need one match alight
I ape my mother as she'd strike

Every time I am forlorn
To fire's light I become drawn
Why can't I break from its spell
Oh why don't I get well

It grabs at me and I don't fight
It flies at my face with delight
It bites and hurts me a great deal
About the room I dance and wheel

Oh dear, the fire licks my clothes
My jacket burns so hot it glows
My hand is burnt, and so's my hair
Now I am burning everywhere

Every time I am forlorn
To fire's light I become drawn
Why can't I break from its spell
Oh why don't I get well
The fire loves me
Help me
The fire loves me not
The fire loves me

I have burned up entirely
There's nothing at all left of me
To sunshine I now emerge
From the ash to which I burned
The fire loves me
The fire loves me not

Help me

[lyrics][discuss]

Studio Report II

Part two of the studio report has been tagged onto the end of part one on the official site. Part three to come...

[discuss]